In 2002, my mother, Paule Maeght, disappeared. A witty woman of rare intelligence. She married my father in 1954, photo at the exit of the town hall. We recognize, of course, my grandparents and the illustrious "witnesses", Georges Braque and Pierre Reverdy.
It was at this point that Giacometti set a condition for his future collaboration with Aimé. Indeed, during the winter of 1948, the Maeght gallery presented the sculptures of Germaine Richier. Grandpa hopes a lot from this artist of whom André Pieyre de Mandiargues says: “She saves sculpture. But Giacometti is demanding and that's not to displease my grandfather. He forces Aimé to choose between Germaine Richier and him, it's not negotiable. Grandpa is faced with a difficult choice: to continue promoting an artist whose first exhibition has been well received or to venture into the unknown by exhibiting Giacometti, whose works Parisian dealers are reluctant to present. Here again, Grandpa knows how to decide and chooses the risk. This is how he will no longer expose the one in whom he believed so much.
Mies van der Rohe, director of the famous Bauhaus school, asks Kandinsky to participate in the Berlin Architecture Fair.
"The Music Room" of 1931 is one of the major works of Vassily Kandinsky. It was made of ceramic and responded to the desire for a livable environment, possessing plastic, harmonious and spiritual qualities identical to those of his paintings. The living room was reconstructed in 1975 and is now part of the collections of the Museum of Strasbourg.
I well remember Nina Kandinsky who often came to spend a few days in Saint Paul. I loved his accent and above all, hearing him discuss in Russian with Chagall.